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"Yo" starts off with the ferocity of Hardcore Punk and transcends a path carved by Meredith Monk, always grasping at your ear along the way. Fun and inventive very few have successfully braved the path of all vocal ensembles while simultaneously expanding the language with the use of both vocalese and native tongue. Truly expanding upon a language is difficult, but Adachi Tomomi''s Royal Chorus presents us with complex vocal music without the stale stench of academia overpowering his compositions. Scott Robinson, Warren Smith and Adam Holzman. I called him halfway through listening to this cd to tell him that this cd really does justice to his incredible vision. Red Sea is without a doubt my favorite cd of his (full disclosure.Dave is a friend). Over the years he has started to lead his own projects and I've had the pleasure of listening to many of them. As a cross-over classical/studio musician, he played every gig in town (including Duke Ellington) and was a member of Gil Evans' band at Sweet Basil. he redefined the bass trombone in the 1970's, bringing flexibility and personality to an instrument that previously had a very narrow range.
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Dave is one of the most important instrumentalists in modern NY history. This record is an absolute classic in my world and one of Ruins' best works. Ruins lay waste to all other bands in the prog scene and are the undisputed kings of the technical duos.
#MY SECRET IDENTITY SONG JIM OROURKE FULL#
This is a full and dense record that I'm still digesting 15 years later. There's the track 0'33" dedicated to John Cage complete with printed scribble-score. The printed lyrics are confusing scrambled-alphabet words that transcend the made-up language tagline, which I initially thought was phonetic Japanese. The melodies have that unmistakable catchiness that Yoshida is a master of. They play amazingly off one another with precision and plenty of aggression. This record marks the high point for this particular line up with bassist Ryuichi Masuda. The compositions were clearer and the improvisations showed their depth and structure. The first thing I noticed was the production was a bit cleaner than their other albums, but that didn't diminish the insanity of the band in any way.
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This was the fourth album I found, and my first time hearing about Tzadik. I immediately hunted down everything i could find by them, which wasn't an easy task at that point in time. Like a bizarre and calculated venting, equal parts whimsical and brutal. Ruins blew my mind the first time I heard them. As always, Otomo was paving the way and most people in-the-know cite this as a must-have release, a true cornerstone of electro-acoustic composition. Cathode also introduced emerging younger artists from the thriving Tokyo "Offsite" scene such as Toshimaru Nakamura, Ami Yoshida and Uta Kawasaki, all of whom were to become incredibly important in the development of this music. This was one of the first major releases to prominently feature Sachiko M, an incredibly important and pivotal sound artist who was clearly a huge influence on the direction Otomo's music was taking. Gone were the manic cut-up collages of his previous work and instead the listener was slowly drawn into a hypnotic, reductionist sound world where, for example, traditional Japanese acoustic instruments such as the Shô were beautifully juxtaposed with the sum and difference tones of Sachiko M's sine waves. On this release Otomo radically redefined and reinvented his sound palette. Recorded in early 1999, Cathode is one of those important, groundbreaking releases that introduced the world to a new way of composition and improvisation.